Week | ||||||
1 | 24-Jan | Introduction | ||||
Strickland, Stephanie. Born Digital. Poetry.org | ||||||
Joyce, Michael. Twelve Blue. ELC | http://collection.eliterature.org/1/works/joyce__twelve_blue.html | |||||
Coover, Robert. “The End of Books” <Eres> and online | ||||||
Reading Rebooted – IUPDHC website | ||||||
2 | 31 | Hypertext | ||||
Jackson, Shelly. My Body. ELCv1 | http://collection.eliterature.org/1/works/jackson__my_body_a_wunderkammer.html | |||||
Rosenberg, Jim. Diagrams. | http://collection.eliterature.org/1/works/rosenberg__diagrams_6_4_and_10.html | |||||
Coover, Roderick. Voyage Into the Unknown. | ||||||
Coover, Robert. Literary Hypertext: The Passing of the Golden Age. | ||||||
Hayles. Electronic Literature. Chap. 1. E Lit What Is It (also online) | ||||||
Landow, George. “Reconfiguring the Text” from _Hypertext 3.0_ <ERes> | ||||||
3 | 7-Feb | Hypertext | ||||
Carpenter, J. R. In Absentia. | ||||||
Pullinger. Inanimate Alice ELC v1 | http://collection.eliterature.org/1/works/pullinger_babel__inanimate_alice_episode_1_china.html | |||||
Bouchardon et al. 12 Labors of the Internet User. | ||||||
Hayles. Intermediation. Chap. 2. <EL> | ||||||
Murray, From Game-Story <FP> pp. 2-11 | ||||||
4 | 14 | Kinetic, Screen | ||||
Memmot, Talan. Lexia to Perplexia. | http://collection.eliterature.org/1/works/memmott__lexia_to_perplexia.html | |||||
Stefans, Brian. The Dreamlife of Letters. | http://collection.eliterature.org/1/works/stefans__the_dreamlife_of_letters.html | |||||
Morris, Adalaide. “New Media Poetics: As we may think” <NMP> | ||||||
Bush, Vannevar. “As We May Think [Memex]” <web | http://www.theatlantic.com/magazine/archive/1969/12/as-we-may-think/3881/ | |||||
5 | 21 | Time Based | ||||
Last Days of Betty Nkomo <web> | ||||||
Babel and Escha. Urbanalities. ELCv1 | http://collection.eliterature.org/1/works/babel_escha__urbanalities.html | |||||
Bigelow, Alan. Brainstrips. | ||||||
Hayles., Chaps. 3 and 4. <EL> | ||||||
6 | 28 | Text Generation / Combinatorial | ||||
Ault, Chris. Hot Air. | ||||||
Wilde, Nanette. Story Land ELC | http://collection.eliterature.org/1/works/wylde__storyland.html | |||||
Glazier, Loss. “Io Sono at Swoons” <NMP> | ||||||
Funkhouser, Chris. “ Text Generation” Prehistoric Digital Poetry <ERes> | ||||||
Seaman. Interactive Text and Recombinant...” <FP> p. 227- | ||||||
7 | 6-Mar | Gesture, Body, Image | ||||
Waber, Dan. Strings. | http://collection.eliterature.org/1/works/waber__strings.html | |||||
Cho, Peter. Wordscapes. <web> | ||||||
Noland, Carrie. “Digital Gesures” <NMP> | ||||||
Cayley. The Pixel/The Line. <FP> p. 208- | ||||||
13 | Break | |||||
8 | 20 | Audio | ||||
Larsen, Deena. Carving at Possibility. | http://collection.eliterature.org/1/works/larsen__carving_in_possibilities.html | |||||
Mencia, Maria. Birds Singing. ElcV1 | http://collection.eliterature.org/1/works/mencia__birds_singing_other_birds_songs.html | |||||
Moulthrop, stuard. Radio Salience. <web> | ||||||
Spinelli, Martin. “Electric Line” <NMP> | ||||||
Mouthrop “From Work to Play” <FP> p. 56- | ||||||
9 | 27 | Machine Thinking, Chatterbots to IF | ||||
Eliza. <Web> | ||||||
Alice | ||||||
Short, Emily. Galatea ELC v1 | http://collection.eliterature.org/1/works/short__galatea.html | |||||
Weizenbaum, Joseph. “Computer Power and Human Reason[Eliza]” from MIT New Media Reader <ERes> | ||||||
Walker. How I was played <FP> p. 302- | ||||||
Montfort. Interactive Fiction <FP> p. 310- | ||||||
10 | 3-Apr | Time Based Text | ||||
Poundstone. Project for Tachistcope | http://collection.eliterature.org/1/works/poundstone__project_for_tachistoscope_bottomless_pit.html | |||||
Poundstone. Bottle imps. | ||||||
Johnson, David. “Pomo” | ||||||
Cayley, John. “Time Code Language” <NMP> | ||||||
Poundstone, William. “Three Proposals for Bottle Imps <NMP> | ||||||
11 | 10 | Conceptual Performance, Appropriation, Chance | ||||
Goldsmith, Kenneth. Solioquoy. ELC | http://collection.eliterature.org/1/works/goldsmith__soliloquy.html | |||||
Beguilman. Code Movie One. | http://collection.eliterature.org/1/works/beiguelman__code_movie_1.html | |||||
Goldsmith, Kenneth. “The Bride Stripped Bare” <NMP> | ||||||
Beiguelman, Giselle. “Nomadic Poetry” <NMP> | ||||||
x | Utterback. “Unusual Positions” <FP> p. 218- | |||||
12 | 17 | Screen Space | ||||
Strickland and Lawson. Vniverse. Web. | ||||||
Nelson, Jason. Poecube2 | ||||||
Nelson, Jason. DreamPhage. ELCv1 | http://collection.eliterature.org/1/works/nelson__dreamaphage.html | |||||
Perloff, Marjorie. “Screening the Page”<NMP> | ||||||
Strickland and Lawson, “Vniverse” <NMP> | ||||||
13 | 24 | Screen Space (cont.) | ||||
Amerika, Mark. Filmtexte | ||||||
Leishman, Donna. The Possession. | http://collection.eliterature.org/1/works/leishman__deviant_the_possession_of_christian_shaw.html | |||||
America, Mark. From Remix the Book | ||||||
Jenkins. Game Design. <FP> p. 118- | ||||||
14 | 1-May | Presentations | ||||
KEY ABBREVIATIONS FOR TEXT COLLECTIONS ABOVE | ||||||
EL = Hayles, E Lit New Horizons; FP=WardripFruin, First Person: New Media; NMP=Morris, New Media Poetics; | ||||||
ELCv1 = Electronic Literature Collection; Eres=IUP Password protected project directory | ||||||
Remainders – Read these as time allows! | ||||||
First Person: New Media As Story, Performance, and Game. Fruin and Harrigan | ||||||
Manovich, Lev. from _The Language of New Media_ <ERes> | ||||||
Baldwin, Sandy. “A Poem is a Machine to Think With” <Web> | http://pmc.iath.virginia.edu/text-only/issue.103/13.2baldwin.txt | |||||
Asareth, Espen. From _Cybertext:Perspectives on Ergodic Literature_ <ERes> | ||||||
Bernstein, Charles. “Artifice of Absorption” from _A Poetics_ <ERes> | ||||||
Murry, Janet .”Immersion” from _Hamlet on the Holodect_ <ERes> | ||||||
Memmot, Talan. “Beyond Taxonomy” <NMP> | ||||||