| Day | ||||
| 1 | 6.4 | Introduction | ||
| Strickland, Stephanie. Born Digital. Poetry.org | http://www.poetryfoundation.org/article/182942 | |||
| Coover, Robert. “The End of Books” <Eres> and online | http://webcache.googleusercontent.com/search?q=cache:oz_DfH9DC88J:www.nytimes.com/books/98/09/27/specials/coover-end.html+&cd=1&hl=en&ct=clnk&gl=us&client=ubuntu | |||
| Joyce, Michael. Twelve Blue. ELC | http://collection.eliterature.org/1/works/joyce__twelve_blue.html | |||
| Clar, David. “88 Constellations for Wittgenstein” | http://collection.eliterature.org/2/works/clark_wittgenstein.html | |||
| Clifford, Allison. “The Sweet Old Etc.” | http://collection.eliterature.org/2/works/clifford_the_sweet_old_etcetera.html | |||
| http://readingrebooted.iupdhc.org | ||||
| 2 | 6.5 | Hypertext | ||
| Jackson, Shelly. My Body. ELCv1 | http://collection.eliterature.org/1/works/jackson__my_body_a_wunderkammer.html | |||
| Rosenberg, Jim. Diagrams. | http://collection.eliterature.org/1/works/rosenberg__diagrams_6_4_and_10.html | |||
| Hayles. Electronic Literature. Chap. 1. E Lit What Is It (also online) | http://eliterature.org/pad/elp.html | |||
| Baldwin, Sandy. “A Poem is a Machine to Think With” <Web> | http://pmc.iath.virginia.edu/text-only/issue.103/13.2baldwin.txt | |||
| 3 | 6.6 | Hypertext | ||
| Carpenter, J. R. In Absentia. | http://collection.eliterature.org/2/works/carpenter_inabsentia.html | |||
| Coover, Roderick. Voyage Into the Unknown. | http://collection.eliterature.org/2/works/coover_voyage_into_the_unknown.html | |||
| Landow, George. “Reconfiguring the Text” from _Hypertext 3.0_ <ERes> | http://sherwoodweb.org/students/engl771871Su2012/secure/ | |||
| Coover, Robert. Literary Hypertext: The Passing of the Golden Age. | http://nickm.com/vox/golden_age.html | |||
| 4 | 6.7 | Hypertext | ||
| Pullinger. Inanimate Alice ELC v1 | http://collection.eliterature.org/1/works/pullinger_babel__inanimate_alice_episode_1_china.html | |||
| Bouchardon et al. 12 Labors of the Internet User. | http://www.the12labors.com/ | |||
| Hayles. Intermediation. Chap. 2. <EL> | ||||
| Murray, From Game-Story <FP> pp. 2-11 | http://www.electronicbookreview.com/thread/firstperson/autodramatic | |||
| 5 | 6.11 | Kinetic, Screen | ||
| Memmot, Talan. Lexia to Perplexia. | http://collection.eliterature.org/1/works/memmott__lexia_to_perplexia.html | |||
| Stefans, Brian. The Dreamlife of Letters. | http://collection.eliterature.org/1/works/stefans__the_dreamlife_of_letters.html | |||
| Morris, Adalaide. “New Media Poetics: As we may think” <NMP> | ||||
| Bush, Vannevar. “As We May Think [Memex]” <web | http://www.theatlantic.com/magazine/archive/1969/12/as-we-may-think/3881/ | |||
| 6 | 6.12 | Time Based/Visual | ||
| Last Days of Betty Nkomo <web> and one other piece from yhchang | http://www.yhchang.com/BETTY_NKOMO.html | |||
| Babel and Escha. Urbanalities. ELCv1 | http://collection.eliterature.org/1/works/babel_escha__urbanalities.html | |||
| Hayles., Chap. 3 <EL> | ||||
| 7 | 6.13 | Time Based/Visual | ||
| Bigelow, Alan. Brainstrips and one other piece from Webyarns | http://www.webyarns.com/brainstrips.html | |||
| Huth, Geoff. Endemic Battle Collage | http://collection.eliterature.org/2/works/huth_endemic_battle_collage.html | |||
| Hayles., Chap. 4. <EL> | ||||
| 8 | 6.14 | Text Generation / Combinatorial | ||
| Ault, Chris. Hot Air. | http://www.talespin.com/hotair/project.html | |||
| Wilde, Nanette. Story Land ELC | http://collection.eliterature.org/1/works/wylde__storyland.html | |||
| Glazier, Loss. “Io Sono at Swoons” <NMP> | http://vimeo.com/12954084 http://epc.buffalo.edu/authors/glazier/java/iowa/ | |||
| Funkhouser, Chris. “ Text Generation” Prehistoric Digital Poetry <ERes> | ||||
| Seaman. Interactive Text and Recombinant...” <FP> p. 227- | http://www.electronicbookreview.com/thread/firstperson/languagevehicle | |||
| 9 | 6.18 | Gesture, Body, Image | ||
| Waber, Dan. Strings. | http://collection.eliterature.org/1/works/waber__strings.html | |||
| Cho, Peter. Wordscapes/Letterscapes <web> | http://readingrebooted.iupdhc.org/node/18 | |||
| Noland, Carrie. “Digital Gesures” <NMP> | ||||
| Cayley. The Pixel/The Line. <FP> p. 208- | http://www.electronicbookreview.com/thread/firstperson/unpaginational | |||
| 10 | 6.19 | Audio | ||
| Larsen, Deena. Carving at Possibility. | http://collection.eliterature.org/1/works/larsen__carving_in_possibilities.html | |||
| Mencia, Maria. Birds Singing. ElcV1 | http://collection.eliterature.org/1/works/mencia__birds_singing_other_birds_songs.html | |||
| Moulthrop, stuard. Radio Salience. <web> | http://iat.ubalt.edu/moulthrop/hypertexts/rs/ | |||
| Spinelli, Martin. “Electric Line” <NMP> | ||||
| Mouthrop “From Work to Play” <FP> p. 56- | http://www.electronicbookreview.com/thread/firstperson/molecular | |||
| 11 | 6.2 | Audio – 2 | ||
| Piringer. Sound Poems | http://collection.eliterature.org/2/works/piringer_soundpoems.html | |||
| Katko. Up Against the Screen. | http://collection.eliterature.org/2/works/katko_up_against_the_screen.html | |||
| Bernstein, Charles. “Artifice of Absorption” from _A Poetics_ <ERes> | ||||
| Asareth, Espen. From _Cybertext:Perspectives on Ergodic Literature_ <ERes> | ||||
| 12 | 6.21 | Interactive Fiction / AI | ||
| Eliza. <Web> | http://www.wedesoft.demon.co.uk/eliza/ | |||
| Alice | http://alice.pandorabots.com/ | |||
| Short, Emily. Galatea ELC v1 | http://collection.eliterature.org/1/works/short__galatea.html | |||
| Weizenbaum, Joseph. “Computer Power and Human Reason[Eliza]” from MIT New Media Reader <ERes> | ||||
| Montfort. Interactive Fiction <FP> p. 310- | http://www.electronicbookreview.com/thread/firstperson/fictive | |||
| 13 | 6.22 **Friday Class** | Media Experiments | ||
| Student Presentations | ||||
| 14 | 6.25 | Interactive Fiction / AI – 2 | ||
| Munroe, Jim. Everybody Dies. | http://collection.eliterature.org/2/works/munroe_everybodydies.html | |||
| Walker. How I was played <FP> p. 302- | http://www.electronicbookreview.com/thread/firstperson/signed-up | |||
| Manovich, Lev. from _The Language of New Media_ <ERes> | ||||
| Murry, Janet .”Immersion” from _Hamlet on the Holodect_ <ERes> | ||||
| 15 | 6.26 | Time Based Text | ||
| Poundstone. Project for Tachistcope | http://collection.eliterature.org/1/works/poundstone__project_for_tachistoscope_bottomless_pit.html | |||
| Poundstone. Bottle imps. | http://www.williampoundstone.net/Bottle.html | |||
| Johnson, David. “Pomo” | http://readingrebooted.iupdhc.org/node/11 | |||
| Cayley, John. “Time Code Language” <NMP> | ||||
| Poundstone, William. “Three Proposals for Bottle Imps <NMP> | ||||
| 16 | 6.27 | Conceptual Performance, Appropriation, Chance | ||
| Goldsmith, Kenneth. Solioquoy. ELC | http://collection.eliterature.org/1/works/goldsmith__soliloquy.html | |||
| Beguilman. Code Movie One. | http://collection.eliterature.org/1/works/beiguelman__code_movie_1.html | |||
| Goldsmith, Kenneth. “The Bride Stripped Bare” <NMP> | ||||
| Beiguelman, Giselle. “Nomadic Poetry” <NMP> | ||||
| Utterback. “Unusual Positions” <FP> p. 218- | http://www.electronicbookreview.com/thread/firstperson/multitiered | |||
| 17 | 6.28 | Screen Space | ||
| Strickland and Lawson. Vniverse. Web. | http://www.cynthialawson.com/vniverse/ | |||
| Nelson, Jason. Poecube2 | http://readingrebooted.iupdhc.org/node/12 | |||
| Nelson, Jason. DreamPhage. ELCv1 | http://collection.eliterature.org/1/works/nelson__dreamaphage.html | |||
| Perloff, Marjorie. “Screening the Page”<NMP> | ||||
| Strickland and Lawson, “Vniverse” <NMP> | ||||
| 18 | 7.2 | Screen Space (cont.) | ||
| Amerika, Mark. Filmtexte | http://www.markamerika.com/filmtext/ | |||
| Leishman, Donna. The Possession. | http://collection.eliterature.org/1/works/leishman__deviant_the_possession_of_christian_shaw.html | |||
| America, Mark. From Remix the Book | http://remixthebook.com | |||
| White, Curtis. The Latest Word. | http://www.electronicbookreview.com/thread/fictionspresent/latest | |||
| 19 | 7.3 | Last class | ||
| Wrap-up | ||||
| Presentation of Final Projects | ||||
| KEY ABBREVIATIONS FOR TEXT COLLECTIONS ABOVE | ||||
| EL = Hayles, E Lit New Horizons; FP=WardripFruin, First Person on Electronic Book Review; NMP=Morris, New Media Poetics; | ||||
| ELCv1 = Electronic Literature Collection; Eres=IUP Password protected project directory | ||||